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Untold: A History of the Wives of Prophet Muhammad, by Tamam Kahn

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Review

Huffington PostTamam Kahn, a Sufi, has written a remarkable book. Just as Anita Diamant gave us the Jewish matriarchs in “The Red Tent,” and just as Marion Zimmer Bradley gave us the perspective of the women of the Arthurian legends in “The Mists of Avalon,” Tamam Kahn teases out, uncovers and re-imagines the women who surrounded Muhammad... Kahn’s book goes a long way toward peace and surrender to the truth that Islam is a religion of the Book, just as are Judaism and Christianity. Read “Untold,” learn about these strong, miraculous women and weep for the years of peace that we have all lost--Dr. Susan Corso, The Huffington PostPublisher's WeeklyA practicing Sufi, poet, and speaker, Kahn tells the little-known stories of the wives of the Prophet Muhammad in this brief book.Usually ignored or used as salacious fodder, the stories are pieced together by the author, using the few and disparate sources on the lives and personalities of the wives. Kahn also employs the “prosimetrum” technique, which intersperses narrative text with short poems that recreate, in fictional, imagined terms, some event in a particular wife’s life. The unorthodox device becomes, as only poetry can, an illustrative window into early Islam and everyday Arabian life 1,400 years ago. Kahn points out that many of Muhammad’s reforms were unique for their time and benefited women. Kahn also doesn’t shy away from the controversial, acknowledging that Muhammad’s marriage to the beautiful Zaynab, the ex-wife of the Prophet’s own adopted son, may not have had the purest motivations; she also addresses the practice of veiling. With onl y a few exceptions, the Prophet mainly married widows and did so largely to form political alliances. Quite open-minded in his spouses, Muhammad even had converted Jewish wives and had a son (who died as a baby) with an Egyptian Christian woman. Even talking back to the influential Prophet, each of the women influenced Muhammad in her own way.TikkunKhadija was Muhammad’s first and only wife for the first twenty-five years that he was a married man. Traditional stories of Khadija portray her as calm, fearless, loving, and free of doubt. According to Tamam Kahn, author of Untold: A History of the Wives of Prophet Muhammad, Khadija was “the rock upon which Muhammad built his family and religion.” She was older than Muhammad. She was a wealthy businesswoman and widow, having borne children with her previous husbands.Khadija and Muhammad had four daughters. The youngest, and favorite, was Fatima. They also had one or possibly two sons who died very young.The open hand symbol we call hamsa ― which means five in Arabic ― is, according to Kahn, a defining symbol of protection for Muslim women, who call it “The Hand of Fatima.”Khadija died at sixty-five and her death was closely followed by the death of Abu Talib, Muhammad’s uncle who loved him like a son. Muhammad’s relationship with Abu Talib was especially important because Muhammad’s father died before he was born, and his mother died while he was very young. After Khadija died, Muhammad took twelve more wives. Ten were also widows. According to Kahn, being a widow in Arabia was difficult, and marriage to Muhammad gave each woman protection, affection, and spiritual community.Untold employs prose and short lyric poems to bring the wives of Muhammad into a new light. The format ― called prosimetrum ― includes prose narrative with poems embedded in it. Kahn’s prose carries authentic historical information from traditional Muslim sources, while her poetry adds texture and imagination. “Tamam Kahn has created a new genre of Islamic literature,” writes Islamic scholar Arthur Buehler. Her poetry gives us reason to linger, while the prose keeps us on the information highway.Muhammad had two Jewish wives among the twelve he married after Khadija’s death. Kahn begins her chapter about them by comparing the stories of Sarah and Hagar as they are told in the Torah and the Qur’an. She then shares her research about the Jewish communities in Arabia in the seventh century. Following an early battle during which Muhammad is betrayed by a Jewish tribe, he chooses Rayhana from among the captives as a wife, and he begins to learn from Rayhana about Jewish customs. When Muhammad brings home Safiyya, his next Jewish wife “from the family of Sarah,” Safiyya takes an unfortunate spill off Muhammad’s camel just as she rides through a crowd of “Hagar’s descendents.” Kahn described the scene in poetry:…They keep looking at the unconcealedwoman, spilled out, bruised. They stare at her ankle, cheek,leg, shoulder, arm, neck, all the shock of luxurious curls,at the trickle of blood down her arm. Safiyya willspend the rest of her life dusting herself off, getting upagain and again as if tripped by the shadow –Sarah’s words to Hagar ― I’ll stay, you have to go.The last line of the poem refers to Sarah, who asks her husband Abraham to send away Hagar, his other wife or concubine, together with Abraham and Hagar’s son Ishmael. The story of the Hebrew Sarah and her son Isaac, and the Egyptian Hagar and her son Ishmael, are recounted in both Torah and Qur’an and figure prominently among the stories of the founders of Judaism and Islam. In Kahn’s poem, she reverses the image, alluding to two of Muhammad’s Muslim wives who apparently taunted Safiyya for being Jewish. In the prose surrounding the poetry, Kahn writes that she suspects that Safiyya nevertheless created friendships with other wives of Muhammad and with Muhammad and Khadija’s daughter Fatima. As evidence of this, Kahn recounts that Safiyya is said to have offered Fatima precious gold earrings.Kahn quotes author Reza Aslan from his book No god but God in which he states: “If Muhammad’s biographers reveal anything at all, it is the anti-Jewish sentiments of the prophet’s biographers, not of the Prophet himself.” In fact, positive stories about Muhammad’s Jewish wives seem to be missing from theHadith ― a compilation of stories from the community that expound on the Qur’an and the life of Muhammad and his wives and others important to the founding of the Muslim faith. Nevertheless, according to Kahn, Moroccan Sufis regard Safiyya as a murshida (spiritual teacher), who taught Torah to the women and girls in the inner circle of Muhammad’s family.With ease and beauty, Untold gives readers a different perspective of Islam and its beginnings. As author Alicia Ostriker writes: “Untold should be read with joy by any reader who hopes to transcend current stereotypes about Islam. It is a bridge between worlds.”Rabbi Pamela Frydman, the director of the Holocaust Education Project, Academy for Jewish Religion, California, helped to found Or Shalom Jewish Community in San Francisco and OHALAH, international trans-denominational Association of Rabbis for Jewish Renewal.Huffington PostTamam Kahn, a Sufi, has written a remarkable book. Just as Anita Diamant gave us the Jewish matriarchs in “The Red Tent,” and just as Marion Zimmer Bradley gave us the perspective of the women of the Arthurian legends in “The Mists of Avalon,” Tamam Kahn teases out, uncovers and re-imagines the women who surrounded Muhammad... Kahn’s book goes a long way toward peace and surrender to the truth that Islam is a religion of the Book, just as are Judaism and Christianity. Read “Untold,” learn about these strong, miraculous women and weep for the years of peace that we have all lost--Dr. Susan Corso, The Huffington PostPublisher's WeeklyA practicing Sufi, poet, and speaker, Kahn tells the little-known stories of the wives of the Prophet Muhammad in this brief book.Usually ignored or used as salacious fodder, the stories are pieced together by the author, using the few and disparate sources on the lives and personalities of the wives. Kahn also employs the “prosimetrum” technique, which intersperses narrative text with short poems that recreate, in fictional, imagined terms, some event in a particular wife’s life. The unorthodox device becomes, as only poetry can, an illustrative window into early Islam and everyday Arabian life 1,400 years ago. Kahn points out that many of Muhammad’s reforms were unique for their time and benefited women. Kahn also doesn’t shy away from the controversial, acknowledging that Muhammad’s marriage to the beautiful Zaynab, the ex-wife of the Prophet’s own adopted son, may not have had the purest motivations; she also addresses the practice of veiling. With onl y a few exceptions, the Prophet mainly married widows and did so largely to form political alliances. Quite open-minded in his spouses, Muhammad even had converted Jewish wives and had a son (who died as a baby) with an Egyptian Christian woman. Even talking back to the influential Prophet, each of the women influenced Muhammad in her own way.TikkunKhadija was Muhammad’s first and only wife for the first twenty-five years that he was a married man. Traditional stories of Khadija portray her as calm, fearless, loving, and free of doubt. According to Tamam Kahn, author of Untold: A History of the Wives of Prophet Muhammad, Khadija was “the rock upon which Muhammad built his family and religion.” She was older than Muhammad. She was a wealthy businesswoman and widow, having borne children with her previous husbands.Khadija and Muhammad had four daughters. The youngest, and favorite, was Fatima. They also had one or possibly two sons who died very young.The open hand symbol we call hamsa — which means five in Arabic — is, according to Kahn, a defining symbol of protection for Muslim women, who call it “The Hand of Fatima.”Khadija died at sixty-five and her death was closely followed by the death of Abu Talib, Muhammad’s uncle who loved him like a son. Muhammad’s relationship with Abu Talib was especially important because Muhammad’s father died before he was born, and his mother died while he was very young. After Khadija died, Muhammad took twelve more wives. Ten were also widows. According to Kahn, being a widow in Arabia was difficult, and marriage to Muhammad gave each woman protection, affection, and spiritual community.Untold employs prose and short lyric poems to bring the wives of Muhammad into a new light. The format — called prosimetrum — includes prose narrative with poems embedded in it. Kahn’s prose carries authentic historical information from traditional Muslim sources, while her poetry adds texture and imagination. “Tamam Kahn has created a new genre of Islamic literature,” writes Islamic scholar Arthur Buehler. Her poetry gives us reason to linger, while the prose keeps us on the information highway.Muhammad had two Jewish wives among the twelve he married after Khadija’s death. Kahn begins her chapter about them by comparing the stories of Sarah and Hagar as they are told in the Torah and the Qur’an. She then shares her research about the Jewish communities in Arabia in the seventh century. Following an early battle during which Muhammad is betrayed by a Jewish tribe, he chooses Rayhana from among the captives as a wife, and he begins to learn from Rayhana about Jewish customs. When Muhammad brings home Safiyya, his next Jewish wife “from the family of Sarah,” Safiyya takes an unfortunate spill off Muhammad’s camel just as she rides through a crowd of “Hagar’s descendents.” Kahn described the scene in poetry:…They keep looking at the unconcealedwoman, spilled out, bruised. They stare at her ankle, cheek,leg, shoulder, arm, neck, all the shock of luxurious curls,at the trickle of blood down her arm. Safiyya willspend the rest of her life dusting herself off, getting upagain and again as if tripped by the shadow –Sarah’s words to Hagar — I’ll stay, you have to go.The last line of the poem refers to Sarah, who asks her husband Abraham to send away Hagar, his other wife or concubine, together with Abraham and Hagar’s son Ishmael. The story of the Hebrew Sarah and her son Isaac, and the Egyptian Hagar and her son Ishmael, are recounted in both Torah and Qur’an and figure prominently among the stories of the founders of Judaism and Islam. In Kahn’s poem, she reverses the image, alluding to two of Muhammad’s Muslim wives who apparently taunted Safiyya for being Jewish. In the prose surrounding the poetry, Kahn writes that she suspects that Safiyya nevertheless created friendships with other wives of Muhammad and with Muhammad and Khadija’s daughter Fatima. As evidence of this, Kahn recounts that Safiyya is said to have offered Fatima precious gold earrings.Kahn quotes author Reza Aslan from his book No god but God in which he states: “If Muhammad’s biographers reveal anything at all, it is the anti-Jewish sentiments of the prophet’s biographers, not of the Prophet himself.” In fact, positive stories about Muhammad’s Jewish wives seem to be missing from theHadith — a compilation of stories from the community that expound on the Qur’an and the life of Muhammad and his wives and others important to the founding of the Muslim faith. Nevertheless, according to Kahn, Moroccan Sufis regard Safiyya as a murshida (spiritual teacher), who taught Torah to the women and girls in the inner circle of Muhammad’s family.With ease and beauty, Untold gives readers a different perspective of Islam and its beginnings. As author Alicia Ostriker writes: “Untold should be read with joy by any reader who hopes to transcend current stereotypes about Islam. It is a bridge between worlds.”Rabbi Pamela Frydman, the director of the Holocaust Education Project, Academy for Jewish Religion, California, helped to found Or Shalom Jewish Community in San Francisco and OHALAH, international trans-denominational Association of Rabbis for Jewish Renewal.

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About the Author

Tamam Kahn, poet, journal editor and conference speaker is a regular presenter at Sufi Symposiums on both coasts. She has taught for the Sufi Ruhaniat International for over twenty-five years and with her husband, Pir Shabda Kahn, has led pilgrims to sacred sites in Morocco, India, Syria and Andalusia.

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Product details

Paperback: 192 pages

Publisher: Monkfish Book Publishing (August 31, 2010)

Language: English

ISBN-10: 9780982324653

ISBN-13: 978-0982324653

ASIN: 0982324650

Product Dimensions:

6 x 0.7 x 8.9 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#1,349,395 in Books (See Top 100 in Books)

I used Untold in my "Women in Muslim Cultures" course and the students found it meaningful, moving, and powerful in bringing the lives and legacies of the wives to life. Tamam definitely brings readers inside the life of the Prophet and his wives in a unique and intimate way. Tamam has crafted a caring and careful set of portraits of these important women of early Islamic history. She has consulted numerous original and secondary sources to glean from them the essence of their lives to create a reading experience that is moving and insightful, both scholarly and personal. Highly recommended.

I love this book & the way it is written. Great topic, vivid prose, & singing poems. A beautiful & meaningful gift.

Very neatly written

I can't believe the positive reviews here. This book is full of fantastical, inauthentic stories about the Prophet (S.) and his wives. The author belongs to some mystical order and lives in her own reality and version of Islam. If you want an exotic, fantastical story, read on. If you want to read sensible information to gain knowledge, stay faaaar far away. Does not even deserve a single star and is a disservice to the Prophet (S.) and his household.

This academically researched book is a beautiful blend of poetry and prose. Although I have traveled in the Middle East and studied Islam for many years, a better understanding of Islam and the Prophet Muhammad was gained by reading this delightful book. I recommend this book to any serious student of Islam. James Harper Burton, Ph. D., author of HUMAN NATURE MEDITATIONS - CONCENTRATIONS FOR MANAGERS AND OTHER HUMAN BEINGS.

AN INTERESTING BOOK

Anyone who really wants to know more about these important Islamic figures and their impact on Islam should read this book.

I expected a historic treatise on the role, enfluence and contribution of the woves of the prophet. A poetic essay, not exactly thirst quinching

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