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Contemporary Lampworking: A Practical Guide to Shaping Glass in the Flame (Volume 1 and 2) Third Edition
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Review
... the standard by which all future books on lampworking will be measured. --Common Ground: Glass Magazine
... the standard by which all future books on lampworking will be measured. --Common Ground: Glass Magazine
... the standard by which all future books on lampworking will be measured. --Common Ground: Glass Magazine
If you could have only one book, it would be wise to consider this one. If you have many books, this will be your best one. If you are teaching glass, this book should be required reading for the class because it not only teaches what people must learn, it also replaces some former misconceptions with accurate incormation. --The Independent Glassblower Magazine... the standard by which all future books on lampworking will be measured. --Common Ground: Glass Magazine... the standard by which all future books on lampworking will be measured. --Common Ground: Glass Magazine
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About the Author
Bandhu Dunham began teaching himself the art of lampworking in 1975. Since then, he has taught others at facilities worldwide, including The Studio Corning Museum of Glass, Niijima Glass Art Center, Red Deer College, Penland School of Crafts and Pilchuck School. In between Bandhu's production and teaching schedules, he is working on Volume III for Contempory Glassworking.
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Product details
Hardcover-spiral: 511 pages
Publisher: Salusa Glassworks; 3rd edition (July 15, 2003)
Language: English
ISBN-10: 0965897214
ISBN-13: 978-0965897211
Product Dimensions:
9.4 x 2 x 11.1 inches
Shipping Weight: 5.4 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
48 customer reviews
Amazon Best Sellers Rank:
#281,073 in Books (See Top 100 in Books)
This is a two book set of volume I and II of Bandhu Scott Dunham's series on Contemporary Lampworking. Taken together these two books and the following book, Volume III make up a series which is the lampworking equivalent to Oppi Untracht's "Jewelry: Concepts And Technology", i.e. a definitive survey on the subject. I think a good first book for people just learning recreational lampworking is Cindy Jenkins' "Making Glass Beads", which may give the novice a bit more of the romance of it in a more enthusiastic manner. These books should definitely be the next two on the reading list for the serious lampworking student.Dunham presents a series of topics which show the reader the basics of how to do lampworking, starting with very simple ways to heat glass, add colored stringers and progressing right on up to very complex ways of making complex objects, such as laboratory glassware and large sculptures. Book I is the basics and book II is not just a step up toward more advanced techniques, but a step describing advanced tooling. Initially I wished for more information about specifics of tools themselves, but then I realized that lampworking is not a thing which is bound by any specific technology, but rather by skill of the worker and the properties and chemistry of the glass.For me, one single technique, the proper winding of a steel wool vessel core, paid for the books. Perhaps for another reader it would be the hint to use a borosilicate punty when making Effetre marbles or the proper way to place a dot or any one of the thousands of other simple things we learned wrong when we start out with lampworking.The language is fairly simple if you've done basic lampworking and read previous lampworking books and have a basic knowledge of both art glass and lab glassware. One word should do for an example. It is found in a technique which tells about the use of a "rubber policeman" to temporarily stop up a hole at the cold end of a piece of glassware. Anyone who has worked in labs knows what are rubber policemen, but people who come to lampworking from the world of video games and t.v. shows probably should keep in mind that their browser can link to dictionaries.Some of the reviewers seem to be put off by the black and white photos. I don't believe I would have told that, since it betrays a certain level of inexperience on the subject. Lampworking has two photographic facts of life. Number one is that color photography is not adequate to capture the color spectrum of hot glass. Number two is that hot glass in a flame produces a flare or false color reaction which makes unfiltered color photographs a mess of yellow and throws off the color of filtered ones.Other readers seem put off by the fact that a lot of the techniques are more directly applicable to borosilicate than to COE 104. I'm not at the level where I can actually do boro with any confidence but I've achieved a level where I can see that the distinction is a false one. The techniques build on one another. If you can keep Effetre cooler but warm enough to work on just a spot without cracking the rest it makes you a better borosilicate worker and if you can work on the stiffer borosilicate it helps you cut down overheating your Effetre. Et cetera.A minor irritant is that these books are spiral bound, which would make these books difficult for a precocious young reader to handle. However any adult who has sufficient manual dexterity for basic lampworking should be able to read them without tearing pages.
I found this book to be fantastic. Despite my only working in soft glass, I love that it talks about Boro as well. I had an instructor tell me it didn't apply to soft glass work and I shouldn't buy it... I am so glad I make decisions for myself! The history told is very informative, the tips and tricks throughout the book make it worth every penny. I was most interested in learning the chemistry behind the glass because once you understand that, so many other things come into place. Even on the descriptions that don't direct relate to what I do, I learned something. I love the author's sense of humor- it makes the book an easy and delightful read. So many books are simply "how-to's" these days and don't explain the "whys". Thank you for writing this book and explaining the "whys" in a way everyone can understand! I have now purchased volumes 2 and 3 and am excited to read them. A must have for any lampworker's library.
I bought this for a friend, who absolutely loves it. He's a hobbyist glass worker, and had heard great things about this work. This is only Volume I (Commonly sold as a package of Vol 1 and 2, with a 3rd edition now available) so it's a great alternative if you don't have the full 70 bucks to spend on both editions. My friend loves the book and on the first day of opening the book, he promised he'd learned several things.As for the seller, they were quick, (book arrived two weeks before "estimated delivery date") and the book was in good condition, so I recommend the seller, too.
These books are the basis to everything you will need to know. Well worth the investment. Great photos and size of book.
Some reviewers have complained that the photos are in Black and White - I don't think that detracts from the greatness of the book at all. This is a great step by step course on lampworking. I have learned a great deal - the descriptions are detailed, well illustrated, and the techniques work. I look forward to buying volume 3.
This is one of the best written and comprehensive books on lampworking that I've read. I've been familiar with Dunham's work and have followed him on Facebook but I didn't know he had a book. My loss. Read the 2-volume set cover to cover immediately and learned lots. This should be in every lampworker's library.
You will learn more than you expect. Definitely worth getting if your a beginner and I also believe that just about anyone would learn something no matter what your level of experience:)
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